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some Liszt works originally published by same before 1852 or so when Hainauer-Verlag prob. Plates as high as 101 or so (Wellesz' Lieder nach Dichtungen von Stefan George, ca.1920? Following Kühnel's untimely death, the firm was acquired by the Leipzig bookseller Carl Friedrich Peters (1779–1827), who traded from 1 April 1814 under the name 'Bureau de Musique de C. Peters'." (see below, Edition Peters) However, there is at least one extant work (Crusell, Clarinet Concerto op.1) with Kühnel's name and 'Bureau de Musique', so it is unclear whether editions so marked belong to the 1800–1806 or 1806–1813 period.

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I definitely will use them again if I am in the same situation.Many publications from the early to mid–1990s are unedited reprints of public domain editions like the Ricordi full score of Aida, etc. Kühnel when it was officially registered under the name 'Neuer Verlag des Bureau de Musique' . to "Beethoven and His World" (Clive), firm of music publishers, and dealers in maps and map prints, founded in 1801 by the painter Joseph Anton Kappeller & the lawyer Jakob Holer, under the name "Kunst- und Industrie-Comptoir Kappeller und Holer". Published (in some cases republished) very many (thousands? ) by Enescu, Rogalski, Wilhelm Georg Berger, Constantinescu, Mihalovici, others. From Founded by Josef Weinberger in Vienna in 1885.Richard Krentzlin (1864-1956) published works for educational purposes, the works were printed in cooperation with a well-known partner (mostly Lienau), the partner publisher is printed on the title page too, plate numbers are usually from the partner publisher The following information is available from the Edition Peters website ( "On 1 December 1800 the conductor and composer Franz Anton Hoffmeister (1754–1812) entered into partnership with the bookseller and organist Ambrosius Kühnel (1770–1813) for the purpose of establishing a 'Bureau de Musique' in Leipzig . Kappeller left in 1802; ownership of the firm changed about a bit and the name changed to "Kunst- und Industrie-Comptoir zu Wien". –1905), first as a music publisher, then also as an instrument (mostly harp) manufacturer. (which later became Haslinger.) (Which is why on Tobias Haslinger you see "Chemische Druckerey (1803-1815)".) See Wikipedia article. "Georges Schonenberger was an active publisher of music in Paris from 1830 to 1875" - "Breitkopf und Härtel in Paris : the letters of their agent Heinrich Probst between 18" (Lennenberg, 1990), "The Letters", p.28, paraphrasing Hopkinson, Dictionary, p.110. (Sometimes edition nos., does not seem to use plate nos. ) Though it seems to have begun before WW2, after the war and before the 1990s it may have been something like the Romanian analogue of Muzgiz and Polskie Wydawnictwo Muzyczne e.g. Stare into each other's eyes over candlelit feasts at the local restaurants. Some ads say you can try a product out for free before committing to it.According to the FTC, the companies told people they’d need to give their credit or debit card information to pay a small .95 shipping fee, but people ended up with close to 0 in charges. Sellers of these products illegally signed people up for recurring product shipments — meaning even more charges — without asking them.

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